Sweden’s Amon Amarth have always adhered to that timeless adage, “if it ain’t broke, don’t fix it.”
BY Paul Isaacs
The second record from Toronto rapper Masia One is a 25-track, double-CD behemoth, but despite its variety of styles and overabundance of songs, Pulau never develops a coherent identity for itself. (1)
BY Adam Radwanski
With Noel Gallagher griping about the latest Bond theme, it might be facile to dub this Oasis’ version of Casino Royale.
BY Alex Nino Gheciu
Since signing with the majors in 2004, Rise Against have been steadily rolling towards the apex where melodic punk and mid-’80s DC hardcore intersect.
How can one man be so damn smooth? Given his parentage and growing resemblance to his pops Alan, we know that Robin Thicke cannot give credit to good genes.
Though in Toronto live music circles his name has meant something for almost a half-decade, this is Hewitt’s first full-length (only a 2005 EP preceeds it), ...
Cartography, the sixth record from Vancouver-based The Buttless Chaps, balances the sounds developed by the band over its decade-long existence.
After four years off, Matt and Bubba Kadane return with the third instalment from their post-Bedhead band The New Year.
As black lesbian MCs from Florida who rap about the joys of fisting, and who’ve signed to the same label as Franz Ferdinand — and according to some reports, ...
Toronto’s beloved hardcore f-bombers Fucked Up indulge in production excess for The Chemistry of Common Life, their first for Matador.