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                  <item>
                      <title><![CDATA[JCVD]]></title>
                      <description><![CDATA[At this year's Toronto International Film Festival, Jean-Claude Van Damme takes on his most difficult character yet: himself]]></description>
                      <link>http://eyeweekly.com/tiff/midnightmadness/article/38431</link>
                      <category><![CDATA[tiff/midnightmadness]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 14:03:45.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/midnightmadness/article/38431</guid>
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                  <item>
                      <title><![CDATA[TIFF Reviews]]></title>
                      <description><![CDATA[New titles added daily!]]></description>
                      <link>http://eyeweekly.com/film/film/article/38327</link>
                      <category><![CDATA[film/film]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 00:00:00.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/film/article/38327</guid>
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                  <item>
                      <title><![CDATA[Video pick: JCVD]]></title>
                      <description><![CDATA[<span id="ctl00_bodyData_metaproperties_TopsUI_Description">EYE
WEEKLY's Jason Anderson brings you Jean Claude Van Damme as you've
never seen him before: intentionally funny. JCVD screens Sept. 4, 11:59pm
at Ryerson; Sept. 5, 3:15pm, Scotiabank.</span>]]></description>
                      <link>http://eyeweekly.com/film/thisjustin/article/38213</link>
                      <category><![CDATA[film/thisjustin]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 21:00:24.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/thisjustin/article/38213</guid>
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                  <item>
                      <title><![CDATA[Charlie Kaufman]]></title>
                      <description><![CDATA[One of a tiny few contemporary screenwriters who is as famous and
acclaimed as the people who shoot his scripts, Charlie Kaufman
conceived three of the most inventive American films of the last
decade: Being John Malkovich, Eternal Sunshine of the Spotless Mind and
Adaptation.]]></description>
                      <link>http://eyeweekly.com/tiff/interview/article/38432</link>
                      <category><![CDATA[tiff/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 14:15:03.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/interview/article/38432</guid>
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                  <item>
                      <title><![CDATA[Julianne Moore]]></title>
                      <description><![CDATA[Though it most certainly would’ve squashed a lesser actor, the burden
of playing the one person who can actually witness a society’s descent
into squalour, cruelty and degradation during an epidemic of
sightlessness falls on one of America’s most capable performers.]]></description>
                      <link>http://eyeweekly.com/tiff/interview/article/38436</link>
                      <category><![CDATA[tiff/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 14:23:18.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/interview/article/38436</guid>
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                      <title><![CDATA[Teenager Hamlet 2006]]></title>
                      <description><![CDATA[In a scene from Toronto painter Margaux Williamson’s first
feature-length “movie” (the scare quotes are hers), Teenager Hamlet
2006, interviewer Sholem Krishtalka and one of a cast of Ophelias (York
Lethbridge) discuss the potential virtues of vanity and suggest that
appearing in Us Weekly is a form of celebrity penance.]]></description>
                      <link>http://eyeweekly.com/tiff/futureprojections/article/38434</link>
                      <category><![CDATA[tiff/futureprojections]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 14:18:25.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/futureprojections/article/38434</guid>
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                      <title><![CDATA[Sept. 6 TIFF video pick: Derriere Moi]]></title>
                      <description><![CDATA[EYE WEEKLY's Adam Nayman previews this dark teen drama from Quebec. It screens Sept. 7, 12:30pm, AMC Yonge &amp; Dundas.]]></description>
                      <link>http://eyeweekly.com/film/thisjustin/article/38218</link>
                      <category><![CDATA[film/thisjustin]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 21:00:00.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/thisjustin/article/38218</guid>
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                  <item>
                      <title><![CDATA[Breaking the TIFF myth]]></title>
                      <description><![CDATA[
A first report on how there's nothing to report for most of the ten days of the film fest]]></description>
                      <link>http://eyeweekly.com/blog/scrollingeye/article/38687</link>
                      <category><![CDATA[blog/scrollingeye]]></category>
                      <keywords><![CDATA[TIFF]]></keywords>
                      <pubDate>2008-09-05 16:50:23.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/scrollingeye/article/38687</guid>
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                  <item>
                      <title><![CDATA[Rocknrolla photo gallery]]></title>
                      <description><![CDATA[Ludacris, Jeremy Piven, Thandie Newtown and Idris &quot;Stringer Bell&quot; Elba
hit the red carpet at the TIFF opening-night screening of Mr. Madonna
Guy Ritchie's latest film.]]></description>
                      <link>http://eyeweekly.com/film/thisjustin/article/38661</link>
                      <category><![CDATA[film/thisjustin]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 12:08:14.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/thisjustin/article/38661</guid>
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                  <item>
                      <title><![CDATA[Scorched]]></title>
                      <description><![CDATA[Tarragon’s original 2007 production of <em>Scorched</em> won acclaim and
two Dora Awards. This remount, which is slated for a national tour,
offers a rare second chance to see what the fuss is about.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/38659</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 11:52:27.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/38659</guid>
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                      <title><![CDATA[Nick and Nora's Infinite Playlist]]></title>
                      <description><![CDATA[The title evokes The Thin Man but the more accurate reference points are Superbad and Harold and Kumar. But it’s no bromance: instead, straight-edge heteros Michael Cera and Kat Dennings do the are-you-my-soulmate? thing over one incident-laden night in Brookyn’s various hipster-infested rock clubs (i.e. the sort of place where Bishop Allen gets a gig). In short: this is not the sort of movie that many of us wanted Peter Sollett to make after his fine, sincerely independent debut Raising Victor Vargas. But Nick and Nora’s Infinite Playlist is better than it sounds, partly because Sollett pushes gamely past the script’s rom-com potholes, and partly because Cera is less mannered than usual. As for Dennings, she’s wonderful — as she was in The House Bunny — and she’s positively triumphant during what must be 2008’s most memorable mainstream climax (double entendre intended!). <br />]]></description>
                      <link>http://eyeweekly.com/film/film/article/38644</link>
                      <category><![CDATA[film/film]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 10:54:07.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/film/article/38644</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[35 Rhums]]></title>
                      <description><![CDATA[It’s tempting to label Claire Denis’ 35 Rhums “minor,” coming as it does on the heels of her previous film L’Intrus — arguably one of the most conceptually radical films of the decade, and perhaps the masterpiece of her remarkable career. Surely this new film, which stars Alex Dascas as a Parisian train operator sharing a tiny apartment with his university-aged daughter (Mati Diop) — a co-habitation that’s almost problematically intimate — is more conventional in its storytelling techniques. But, as shot by the peerless Agnes Godard, it’s no less beautiful. And the focus core of outsiders — with one exception, every major character is of African extraction — places it squarely within a filmography that’s always featured what might be called concentric communities of tightly-knit enclaves within a larger urban space. Her project is nothing less than the mapping of contemporary French society, and 35 Rhums is a precise, probing work of social cartography. <br />]]></description>
                      <link>http://eyeweekly.com/tiff/specialpresentations/article/38643</link>
                      <category><![CDATA[tiff/specialpresentations]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 10:52:01.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/specialpresentations/article/38643</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[TIFF Today (Sept. 5)]]></title>
                      <description><![CDATA[EYE WEEKLY's Jason Anderson previews the Quebecois comedy C'est Pas Moi, Je le Jure! in the Video section; plus a review of Michael Cera's latest, Nick and Norah's Infinite Playlist<br />]]></description>
                      <link>http://eyeweekly.com/film/film/article/38635</link>
                      <category><![CDATA[film/film]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-05 00:00:05.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/film/article/38635</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Sept. 5 TIFF video pick: C'est Pas Moi, Je le Jure!]]></title>
                      <description><![CDATA[EYE WEEKLY's Jason Anderson previews this quirky Quebecois comedy about a devilish left to his own destructive devices. It screens Sept. 5, 4:30pm, Winter Garden Theatre; Sept. 7, 7:45pm, Varsity (two screens).]]></description>
                      <link>http://eyeweekly.com/film/thisjustin/article/38216</link>
                      <category><![CDATA[film/thisjustin]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-04 21:00:36.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/thisjustin/article/38216</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Music to Listen to Comedy By @ Bad Dog]]></title>
                      <description><![CDATA[Regardless of the musical antics on stage, the real star of the show on Thursday at Bad Dog was the men's room.&nbsp;]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/38573</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-04 16:28:32.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/38573</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Passchendaele on parade]]></title>
                      <description><![CDATA[
First World War romance epic plays tiny role in Canadian military marketing clout]]></description>
                      <link>http://eyeweekly.com/blog/scrollingeye/article/38540</link>
                      <category><![CDATA[blog/scrollingeye]]></category>
                      <keywords><![CDATA[TIFF]]></keywords>
                      <pubDate>2008-09-03 22:42:36.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/scrollingeye/article/38540</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Okkervil River]]></title>
                      <description><![CDATA[Fame’s fleeting, fandom’s fucked; they’re both fabrications.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38454</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 21:01:17.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38454</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Brian Wilson]]></title>
                      <description><![CDATA[Anyone expecting a follow-up to SMiLE is going to be disappointed by That Lucky Old Sun, but it’s hardly a wipeout.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38456</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:02:48.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38456</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Ra Ra Riot]]></title>
                      <description><![CDATA[It’s hard not to compare Ra Ra Riot to the Arcade Fire. Both bands play
string-driven chamber pop and have released debut albums heavily
weighted by the death of loved ones.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38458</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:05:19.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38458</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Chad Vangaalen]]></title>
                      <description><![CDATA[If a Casio keyboard had a button marked “Canadian Indie Rock,” it would
probably make a noise like Chad VanGaalen’s Soft Airplane.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38463</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:10:41.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38463</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Bound Stems]]></title>
                      <description><![CDATA[The Family Afloat, the second full album by Chi-town dwellers Bound
Stems, is about how you can’t go home again — and leaves nothing but a
trail of long-distance girlfriends and empty bottles in its wake.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38465</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:12:48.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38465</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Angela Desveaux & The Mighty Ship]]></title>
                      <description><![CDATA[From its opening cascade of chords to its last flickering notes, Angela Desveaux’s new record is an arresting, emotive affair.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38467</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:17:07.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38467</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Winter Gloves]]></title>
                      <description><![CDATA[Half a decade ago, the punchy, patterned synth-rock made by Montreal’s Winter Gloves would’ve sounded très au courant.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38469</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:18:48.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38469</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Hey Ocean!]]></title>
                      <description><![CDATA[There’s no genre name for the kind of band that student unions hire for
their school’s big orientation week party, but with Hey Ocean!, that
(rightly) maligned style has a worthy flagship act at last.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/38471</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-09-03 15:20:24.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/38471</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[A ghost is born]]></title>
                      <description><![CDATA[They don’t call him Slim Twig for nothing, but his frenetic, rockabilly-inspired performances aren’t what you’d call fragile]]></description>
                      <link>http://eyeweekly.com/music/features/article/38474</link>
                      <category><![CDATA[music/features]]></category>
                      <keywords><![CDATA[Slim Twig, Tropics]]></keywords>
                      <pubDate>2008-09-03 15:24:23.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/features/article/38474</guid>
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